To BE Erotic Fiction - SEX has to drive the plot.

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A Question of Royalties

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Test Readers and Beta-Readers

 14 Cats in a square box by StuffedKittie

Testing your Story's Popularity Potential!
Test Readers and Beta-Readers

So, you wanna know if your story has what it takes to thrill and interest your readers? Believe it or not, this is easier to do than you might think.

BEFORE the publisher gets their hot little hands on your glorious tale, get your hands on a few Readers and have then Test-Read your stuff.

Who do you get?

Not proof-readers and NOT line editors!
I have a hard-core line editor and he only gets the book when it's COMPLETED. I never do typo or grammar checking until the very end. Stopping for grammar kills my creative momentum. As it is, I rewrite so much, that by the time they tell me I have a typo or repeated something, I've probably already corrected it or moved it.

NO SPOUSES.
Spouses are either too critical or not critical enough.

AVOID Critique Groups. (Unless you KNOW the people involved.)
They are your Direct Competition and it is in Their best interest to cut you down and discourage you. Especially if you're good. Make darn sure that the people critiquing your work are worthy of your TRUST!

You want Fans.
People who already like your stuff. Fans will be gentle in their disparaging remarks and quick to praise.

Your best test audience is SIX bodies: three female, three male.

Guys like ACTION ~ Girls like EMOTION
Everybody likes a Smart-Ass, so practice your witty repartee!

You want to know if they Liked it, if it Worked, if they enjoyed the world you created... You want an Audience Opinion, not a Critic's opinion, not an Editor's opinion, but a Potential BUYER's opinion. What you need from your Readers is a taste-test. 

Have you hugged your
Beta Reader today?

Anyone who writes with the intent to be read by the public, from the brand-name published authors to the fan-fiction scribbler, will tell you that a good Beta Reader is worth their weight in GOLD. 

So, what is a Beta Reader really for? 

Most Beta Readers look for obvious grammar boo-boos and glaring spelling errors, but the really good ones look at your story as a whole and tell you where your strengths and weaknesses are so you can adjust them. 

These are what I ask MY Beta Readers to check.

The Reader's Taste-Test
Popularity Potential Questionnaire

Whether you’re a Writer looking to check your work or a Beta Reader who wants to point out a few things to your favorite writer, feel free to borrow, spindle, and mutilate this list of questions to your heart’s desire.

Is it BORING? 

• Does any part of the story Drag?
• Are their parts that you skipped to get to ‘the good part’?
• Do I over-inform (info-dump) anywhere?

Fan-Fiction Writers:

• If someone unfamiliar with this Fandom read this, have I explained enough for them to understand everything that's happening in that scene?  

Did you GET IT?

• Did you understand every phrase / term I used?
• Did I forget to mention that someone was demon-possessed, half angelic, or had mystical powers?

Did it WORK?

• Did it make you laugh?
• Did it make you cry?
• Did it scare you where it was supposed to scare you?

Love Scenes?

• Do any of the love scenes seem overly cliché? (Or overly sappy?)
• Were the love scenes too fast, too slow, or too frequent? 
• Did you have to reread any part of the love scenes to understand who was doing what?
• Did any action in the love scene make you cringe? 
• Did it make you hot? 

Do the scenes FLOW?

• Does one scene lead logically into the next?
• Do the scenes flow smoothly from one action sequence to the next, or did they jump as though something was skipped? 
• Is there enough downtime between intense scenes to allow it to build to the next?
• Were the Flashbacks smoothly integrated to fit onto the current scene, or did they seem plopped in, like a chapter that was in the wrong place?  

Is it TOO MUCH?

• Is there enough down-time between intense scenes to allow it to build to the next?
• Does any part of it make you cringe in a Bad way?
• Have I crossed the Comfort-Zone line?

Is anything VISUALLY Confusing?

• Can you SEE every action clearly?
• If you went there in real life, would you recognize the locations?
• Did you have to reread any part of the action sequences to understand who was doing what? 
• Could you SEE what the characters looked like clearly? 
• Did I forget to describe their Clothes, their Hair, their Eyes, or any other distinctive feature?
• Was I smart enough NOT to use grade student descriptions such as: "She was five-foot, seven with double-D breasts"?

Fan-Fiction Writers:

• Could someone who was Not familiar with the fandom SEE what the characters looked like clearly?

During DIALOGUE scenes…

• Does the Dialogue sound realistic for the individual characters?
• Could you SEE what the characters were DOING while talking?
• Could you SEE where the characters WERE while talking? 

Did the Characters WORK?

• Do their actions & reactions seem logical & realistic?
• Could you feel the Emotions between the characters?
• Does the story stay focused on my Main Character?
• Is the villain actually Villainous?
• Were any of my female characters too much of a b!tch or a bimbo?
• Were any of my male characters whiny, wimpy, or overly dramatic?

• Who did you like best and WHY?
• Who did you hate and WHY?
• Who got on your nerves and WHY?

• Do any of the characters get in the way of the STORY?

Fan-Fiction Writers:

• Did the characters seem In Character? 
• Would Original characters have worked better for this story?

The answers to these BURNING questions will keep your fiction crisp, focused and Popular. If your test readers liked it then loads of other people will too. 

(I still think that if George Lucas had used a few fans for test readers - the scenes with Aniken as a child would have been much shorter - and made more sense, Jar Jar Binks would never have appeared, the romance would have been well, a Romance, and the clone war would have been well, a Clone War. But that just MY opinion... )

Morgan Hawke

FINISH your Manuscript FIRST!

 "Which should I do first?
Submit a query letter to a publisher 

or finish my story?"

An Author wrote:

"... I'd like to write a novel some day, like everyone I guess, but I'd rather find a publisher first, submitting a few sample chapters to see if my work is marketable, before writing the whole blessed thing."

Another Author replied:

"... a word from someone who's been there done that several times unless you are a celebrity, few publishers will consider a book from a new author unless it is finished..."

Another Author is Absolutely Positively CORRECT. You NEED to finish your manuscript (MS) BEFORE you even consider submitting a Synopsis or a Partial. ESPECIALLY if you have never submitted before! 

Editors are NOT patient.

Most editors that accept a pitch, proposal or partial, expect that book to be already completed and in the mail the same day. If you are an unknown, and you make a large NY publisher wait, you will kill your entire career before it get's off the ground.

Having your manuscript already done says to the editor that they don't have to WAIT and hope you actually finish it. Too many authors freeze at this point and chicken out - even experienced authors - simply because the idea they pitched wasn't all that solid to begin with. By offering a completed MS, you are telling the editor that YOU know how to commit and complete. YOU are a reliable professional who knows how to make their job easier...

I don't know about you, but I don't want to deal with:

"You said this would be done last month. When are you sending it to me?"

Not every story can be finished quickly. My first 90k novel took over a year to complete. I finished my next novel, a 100k piece in three months - but the following novella had a far more intricate plot and it took nearly six months. It's a million times less stressful to write it as I feel like it and then let them know I have it - when it's done. 

If the Publisher has your signature on a contract
- They OWN You.

If you are accepted on a partial, and you are not done, you will need TIME to finish. 

A deadline is no way to finish a book if you are still new to it.

The pressure to write to deadline is enormous, and engenders Mistakes. I don't mean grammar & typos, I mean: plot-holes the size of Nebraska, watery characters, weak descriptions and flat dialogue. These are things that YOU have to take care of before you submit. (Beta-readers are your best bet for catching stuff like this.)

Editors are Not book doctors. 

They're good for the small stuff like typo hunting. Unfortunately, they rarely have time to coach and coax a new writer into polishing their writing. It's too easy to set your work aside and pick up the next MS that has all this stuff already handled and only needs a grammar check.

Until it's written you WON'T know exactly what you have to offer.

I have quite a few books out and three ePublishers that will take anything I care to write, yet "I" absolutely positively refuse to sign a contract until the story is finished.

Why not Sign the Contract?*

What if the story in progress suddenly takes a turn and is no longer suitable for that line? I'm screwed, that's why not.

Once you are committed to contract you HAVE to give them exactly what you told them you were giving them. If the story suddenly shifts into a masterpiece, but your contract says those changes are not what they want then you have to slash and burn and deliver something less than perfect, because that's what you signed for.

My story "Uber Gothic" is a prime example of this. It was supposed to be a 30k (thousand) word story - it turned into a 80k novel. But the editor that wanted it doesn't accept novels,  they have a hard limit. I had two choices: chop it and deliver, or send it elsewhere. 

The editor did NOT want me to send that book elsewhere. Instead, she very much wanted me to chop it into pieces so she could sell it in serial format.

But I didn't want to chop it. Revising a novel into a serial takes an incredible amount of work that I just didn't want to do - not when I had two other publishers that would take it as a novel.

Luckily, I never signed a contract, so I was not committed to the sale. "Uber Gothic" was released for Halloween at Extasy Books as a whole novel. 

FINISH your Book.

It'll just make life easier for you in the long run.  

*Note: An experienced author who has more than one book on the bookstore shelf can sign on the contracts they want, but a new author should avoid sticking their neck out unless they know for a fact that they can complete their work --to spec-- on time!

Morgan Hawke
www.darkerotica.net
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“The only good plot is a delayed f*ck.”

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