Showing posts with label Genres. Show all posts
Showing posts with label Genres. Show all posts

Friday, September 10, 2021

When & How to SMUT

 


When & How to SMUT
DISCLAIMER: As a multi-published author, I have been taught some fairly rigid rules on what is publishable and what is not. If my rather straight-laced (and occasionally snotty,) advice does not suit your creative style, by all means, IGNORE IT.
Less competition for me. :)

----- Original Message -----
I'd like to know how some smut writers write their smut, ...how smutty our smut should be, [and] places to put smut where it [won't] obstruct the actual plot. I also just want more smut to read...
-- Looking for Good Smut --

 
Before one Smuts...​
 
The first thing one needs to know about writing smut is The Law of Erotic Fiction:​
 

If you can take the Smut out of the Smut Story
and still have a viable story,​

You did it WRONG.


This was derived from Issac Azimov's Law of Science Fiction:​ 
"If you can take the Science out of the Science Fiction and still have a viable story, you did it WRONG."​
This Law is true for every genre of fiction, but especially true for Smut Fiction.

The point being; in order to write smut that won't obstruct the plot--​
 
One creates a Plot
specifically for the Smut.
 
 
WARNING! Incoming Rant!​

Do Not add Smut to an already existing story!​

If you already have a viable story, adding smut just to get readers to look at your work is known as Pandering. This happens most often when a writer gets impatient for views, or sales, and resorts to adding smut to their work in hope of catching the attention of somebody, anybody who will look at their work.​
If you have a half-way decent story, Pandering is the worst thing you can do to your work because it is a Dead End trick. Adding smut content to a story that was not originally designed to have smut content destroys character cohesion and creates massive plot holes almost instantly. In short, it destroys whatever integrity that story might have had.​
Pandering is a cheap trick no reader appreciates, especially readers who already know what good smut fiction looks like.​
If you think your readers won't notice you cheating them out of a properly plotted smut story, you are Very Wrong, and your readers will let you know in ugly ways.​
/Rant.​

Now that I've gotten that off my ample chest...
Accidents Do Happen.​
 
Sometimes writers will write stories that start out as legitimate smut, but the characters get carried away and the plot shifts focus to something that isn't smut -- turning their smut story into something completely different.​ 

How can you tell if a Smut Story has changed?​ 

Here's a test:
-- If you can substitute all the smut scenes with Kissing scenes, your plot has probably shifted into something else -- and that something else is what your story should be.​ 

What to do about this?​

First, figure out what your story's new focus is. Is it a fascinating Mystery, a rollicking Adventure, a tender Romance, intriguing Magic...? Next, take out all your lovely smut, save those scenes in another file to use in a different story, put kissing scenes in those gaping plot holes then finish your story.

What about just...jamming Smut in there anyway?​ 

NO! Absolutely Not. All that will do is ruin a perfectly viable story. All you can do is finish that story then try again with a new story -- hopefully with the smut properly integrated into the plotline.​ 

How do you Write a Story for Smut?!​

Before one writes a single word of the story you plan to have smut in, one needs to know that there are major differences between a basic smut story (Erotica), a smut Adventure story, (Adult Pulp Fiction and Erotic Romance,) a story with with love scenes, (common Romance,) and rape fics, (Bodice Rippers.)

Each of those types of stories all have different Plot Structures where the smut serves a difference purpose.


Erotica:
-- Smut IS the Plot.


Erotica stories tend to be short because their plot is literally; They met. They had sex. What happened after.

This sort of story is easily --and quickly-- written because the writer merely needs to come up with a smut scene, then figure out how the characters met to have smut, then what happened after they had smut.

They saw.
They conquered.
They came.
~ The End.


Adult Pulp Fiction/Erotic Romances:
-- Because the MC needed Smut, Plot Happened.


Believe it or not, Pulp Fiction and Erotic Romances are pretty much the same thing -- an Adult Grand Adventure. The only real difference between them are their target reading audiences. Pulp Fiction is generally aimed at male readers, where Erotic Romance, despite the misleading genre title, are aimed at the female reading audience.

The writer's job is to find a reason for their main characters to Need that Smut to Happen, then expand on how every time they succeed in getting it on, their actions complicate their grand adventure.

The beautiful Omega deliberately seduced the rampaging Alpha to allow the others to escape.

In female oriented Erotic Romance, and BL novels, smut also actively demonstrates the level of emotional intimacy the couple has reached, especially after a traumatic event.

The more poorly written Pulp Fictions however, tend to use a Reward system.

After something happens, the main characters indulge in smut.

-- The main character does something Dangerous; a rescue, an escape, a heist, a fierce battle, and they are rewarded with smut. (Ian Fleming, I am looking at you!)

This is a cheap-assed, bargain bin version of the cliché 'Boy gets the Girl as a Prize for doing something Brave' plot. This cliché is older than the earliest fairy tales and twice as used. Think: cave-man.

If you are aiming strictly for the Male reading audience, go for it! They'll appreciate it enthusiastically.

However, I as an author and a female reader, despise it. In fact most female readers intensely dislike that cliché.

Why?

It's demeaning.

If a guy does something life-threatening for my sake such as a rescue, I might reward them with a hug, or a kiss on the cheek, or money, but never smut. Not unless I was already in a sexual relationship with them.

The only type of person that will reward a guy with smut when they are Not already in a relationship with them, is either:

  1. A woman being forced to do so. In which case he better Not accept that reward or he will lose all respect from every female reading his story...!

  2. Or a woman looking for a sucker to use. This kind of person will also toss him away the instant they find someone stronger, richer, and more powerful. This kind of person is known as a Skank and females Hate them. We certainly don't want to read about them unless they come to nasty, nasty ends.


Romance:
-- Falling in Love leads to Smut.


Many, many Romances have smut, but most of them don't really need it. This is because what drives the plot in a Romance story isn't Physical Love. The plot's focus is Emotional Love, and emotions are what make the story happen -- and need the most detailing.

However, if you truly want smut in your Romance story, to do it properly each progressive love scene should demonstrate the increasing level of Affection and Trust --the increasing level of love-- between your main characters.


Bodice Rippers:
-- The classic rape fic where the victim falls in love with their rapist. AKA: Stockholm Syndrome.


Before we get into how to write one of these, the writer needs to know two things:

Number One: American female readers tend to HATE rape fics --this includes M/M rape fics-- with a burning passion, unless that story ends with a gruesome revenge scene that the rapist does not survive.

Bodice Ripper novels went out of fashion in the USA in the mid 80's because of a massive cultural shift in the USA where 'having sex' and 'enjoying sex' were no longer considered shameful -- something Nice Girls didn't do until after marriage.

Ahem... The authors no longer needed the excuse of a forced seduction to get their Nice Girl characters into bed with their male leads.


Number Two: Over 80% of the English reading --and book-buying-- audience is Female.
So, if your English rape fic, or English translated rape fic, has a low reader count, now you know why. It's because the largest denomination of English readers --females-- won't read that type of work.

On the other hand...!

If you are targeting male readers this type of story will definitely appeal to them because rape is a very common male stroke fantasy.

Ahem! Please note the term Fantasy. Just because someone fantasizes about something does not mean they have any desire to do such things in real life. 
 
For example, Stephen King fantasizes about gruesome murders all the time -- he even writes them down so other people can fantasize about them too! However, he has never harmed anyone in real life.​

The key to writing Bodice Rippers successfully is to have some kind of smut content in every chapter (every 2,500 words minimum,) even if it's just peeping at naked flesh.

However, there should still be a decent excuse for every bit of smut to happen! It doesn't have to be a good excuse, just enough of one to move the story to the next scene.

Detailing smut however, is optional with smut scenes only being a paragraph or three in length. This is because while male readers prefer detailed descriptions of the characters participating in smut -- female and male-- they prefer to use their imaginations to detail the action.


The Bodice Ripper is the core of the Oriental Harem story.
 
In order to write a harem fic longer than 10,000 words (two to four chapters,) one needs more Targets to fill out that word count.

To make a basic Harem Fic, start by sketching out as many targets for your main character to seduce as possible. Seriously, make a list with names, cliché character typecasting, and base descriptions. Change targets every 20,000 (20k) words with a new location and a fresh excuse to have smut.

How do you End a Harem Fic?​

-- No idea. From what I've seen so far, the story keeps going until the Main Character dies.


How Descriptive 
should the Smut Scenes be?

This depends on your target reading audience.

Female readers want descriptive details of everything -- inside and out!​

The people, the places, the action, the sounds, the smells, the tastes, the colors, the textures... Female readers want to see each scene clearly in their minds better than in a movie. They want to experience it all; mentally, physically, emotionally. They want to be those characters and live their lives from inside their skins.

Smut scenes range between 2,500 words to 10,000 words per scene.

However there is a limit to how much one should describe!​
  • Good example of descriptive writing
    Laurell K Hamilton's early Anita Blake books. Her later books completely lost the plot.​
     
  • Bad example
    JRR Tolkien's Lord of the Rings series. He was writing a travelogue and it shows. His Hobbit is much better, but still crammed with travelogue details.​
Male readers prefer the Characters and Action Scenes as lovingly detailed as the Silver Screen.​

They want to see the participants and players in full technicolor in their imaginations; skin tones, hair color, eye color, the exact softness of skin, fragrances fair and foul, descriptions of body types, and exactly how a bosom fits in the character's palm. 

They like the messy details too; the slap of skin and the squelch of wet flesh, musky damp scents, and the taste of sweaty skin.

Location changes, scenery changes, fight scenes and other daring-do scenes should also be as detailed as a movie scene.

The emotional aspects can be skipped almost entirely -- unless Revenge is involved. Apparently Hate, Rage, Anger, and Frustration are allowable emotions for the main protagonist to wallow in. 

Love and affection are emotions they succumb to -- after fighting long and hard against them.

Everything else can be somewhat vague, including the smut.

Average Smut scene: 500 to 1000 words.

If you want to detail out the smut to 5000 words or more, your male readers will definitely enjoy it, but a couple paragraphs of a rough outline of what happened works too. This is because males like to add in their own little details and dialogue while they're fapping to smut.​
  • Good Example of descriptive writing male readers appreciate: Jim Butcher's Dresden Files series.​
  • Bad Example: Ian Fleming's James Bond series. Each female lead and all the action is lovingly detailed, but the smut scenes are barely a paragraph in length and described very poorly. I was so disappointed.​
     
     

How much Smut...?

 
This depends on the type of story one is writing.

However...! Before we go into detail about how much Smut each type of story generally has, my definition of Smut needs to be addressed.

To many writers, Smut = Sex. My definition is a lot more broad. 
 
As far as I'm concerned, Smut is anything sexual at all; from smoldering eye contact, to a squeeze of the butt cheek, to full on intercourse. I do however, define a Smut Scene as a scene were sex happens. Okay?

Okay. 
 
Now...​ 
 

How much Smut
should go in each type of Smut Story?
 

Erotica:
  • Smut Scenes: One per 5000 (5k) words.​
  • How Smutty: Extremely detailed.​
  • Fetishes or kinks: Yes, please! Limited to what is legal to publish. Generally no scat, no bestiality, no watersports.​
​Euphemistic language to start with, increasingly hardcore adult language until the peak of climax for best effect. C-word used sparingly and only as a compliment. F-bombs perfectly okay.​

Erotic tension begins with the opening line of the story and every word of description should add to that tension. The moment the two main characters make eye contact Lust smolders into being and every word after that should be erotically charged until the very last line.

Keep in mind, most Erotica is short; 5000 (5k) words to 20,000 (20k) words at most. It is agonizingly difficult to keep up the sexual tension beyond 20k without changing participants. It CAN be done, but it is not easy.
WARNING! Female readers Do Not like reading stories where the main character changes partners. Females consider that Cheating -- unless the story ends in a threesome relationship with all three participants sleeping with each other.​


Adult Pulp Fiction/Erotic Romance:
  • Smut Scenes: Eight to fifteen per 100,000 (100k) words.​
  • How Smutty: Hardcore detailed.​
  • Fetishes or kinks: Limited to what is legal to publish. No scat, no bestiality, no watersports.​
​Common language with increasingly hardcore adult language during moments of Danger. Also during rising sexual tension until the peak of climax. C-word used only as a compliment. F-bombs perfectly okay.​

Because these stories are in fact cross-genres of Adventure and Romance, it is much easier to keep the erotic tension going between exclusive partners by balancing it with danger and suspense. 
 
Think in terms of a roller-coaster ride with the high peaks being Smut, the deep drops being Danger, and the sharps curves being Suspense.


Romances:
  • Smut Scenes: Three to five per 100,000 (100k) words.​
  • How Smutty: Detailed enough to know who is doing what, but through rose-colored glasses.​
  • Fetishes or kinks: Only what is acceptable by housewives and high school girls. (Mild bondage, no pain!)​
​Romantic and euphemistic language with only mildly coarse adult language during moments of danger. Also during rising sexual tension until the peak of climax. F-bombs only while in extreme danger and at the peak of climax. C-word is right out.​

Be sure to detail the internal dialogue and emotional angst of your POV character.

Best written from ONE POV only! 
(Especially if the writer is a Beginner.)​

The idea is to keep the readers guessing as to how the Romantic Interest really feels. Using the Romantic Interest's POV even once removes all romantic suspense and gives away the Ending! This is BAD because once the readers know how the story will end, they no longer have a reason to keep reading your story.


Bodice Ripper / Harem story
  • Smut Scenes: Some kind of smut content from mild to hardcore every chapter.​
  • How Smutty: Hardcore detailed. Change targets every 50,000 (50k) words with a new location and a new plot twist to give you a fresh excuse to have smut.​
  • Fetishes or kinks: Limited to what is legal to publish. No scat, no bestiality, no watersports.​
Common language with increasingly hardcore adult language during moments of danger. Also during rising sexual tension until the peak of climax. C-word okay. F-bombs okay.​
WARNING! Make sure you know your Reading Audience! 
American female readers Do Not respond well to smut-shaming scenes and may get vicious about them.​


Oddly enough, the Bodice Ripper/Harem Tale is a cross-genre of Adventure and Erotica. Keeping the erotic tension is done by changing partners plus moments danger and suspense. In fact, the easiest way is by changing partners during moments of danger and suspense.

Just don't completely abandon the previous partners, especially if they've married the harem master! Doing that will create a plot hole your readers will crucify you for in the comments.

To avoid that sort of problem, give each successive partner their own individual problem the main character needs to assist them with. That partner's story concludes when the problem is fixed and the main character moves on, leaving a happy and thoroughly satisfied ex-partner behind.

The light novel series Vampire Hunter D uses this formula for each individual book.​
Everywhere he goes, D meets a new partner with a vampire problem. Once he fixes their problems and kills the local vampire, he leaves them behind happy and satisfied.​

In Conclusion...​

So, how do smut writers write their smut?
-- With loving descriptions and careful attention to detail.

How smutty should the smut be?
-- Enough to actually get one's target reading audience tight and tingly in their britches.

Where should one put the smut, so it won't obstruct the actual plot?
-- Where it belongs; as an important mover and shaker of the plot all by itself.

I hope this proves helpful.

Tuesday, April 07, 2015

You Are what you READ


You ARE what you READ.
 by Award-winning novelist Randy Ingermanson, "the Snowflake Guy.

Years ago I was talking to a fellow novelist whom I’d just met and I asked him what his Top Five favorite novels were. This is a question I ask writers a lot. I’m always looking for great books, and one place to find them is on the Top Five list of another writer.


He said, “I don’t read fiction.”

This guy’s answer just about knocked me over. I couldn’t believe it. I asked him if he meant he didn’t read much fiction.

No, he didn’t read any. He was a nonfiction kind of a guy.

He wrote fiction, but he didn’t read it.

That was years ago, and I haven’t seen anything from him recently.

To put it bluntly, I don’t see that as a recipe for success. If you’re a novelist, you need to be reading fiction.

There’s a saying that you are what you read,” and I think this is partially true.

If you read great fiction, you’ll absorb some of it, and you’ll become a better writer. You’ll learn what’s possible to do in writing, and it can’t help but expand you as a writer. But I think it goes beyond that.

I recommend reading widely, even if it isn’t great fiction. Because the fact is that--

--you are MORE than what you read

What you read is fuel for your mind—it’s necessary, but it’s not sufficient.


Novelists need to read Fiction.

A lot of fiction. Not just the bestsellers. Obscure stuff. Good fiction. Great fiction. Horrible fiction (not too much of this—if you do manuscript reviews at a writing conference, you’ll see more than you need).

When you read other people’s fiction, you learn things that you couldn’t learn any other way because when it comes to the craft of writing--

--you don’t know what you Don’t Know. 

The only way to Learn
 what you don’t know is by 
Reading other people’s work.

For starters, you should read widely in your category. You need to know the rules of your genre—which ones are ironclad and which ones can be bent, but that’s not enough.

Read widely outside your Genre. 
Read outside your Demographic. 
Read outside your Worldview.

Read Romance fiction. 
Most novels have a romance thread in them, no matter what their category. If you can improve that thread, your story will improve.

Read Suspense fiction. 
Most novels have some element of fear in them. Learn how to do that better and your novel will be better.

Read Fantasy. 
Even if you, personally, would never want to read a vampire or werewolf story, it’s quite possible that one of your characters would. If you understand that character better, then you’ll do a better job writing that character.

Read Mysteries. 
Even if you hate mysteries. Most novels have an element of mystery to them—some secret that needs to be uncovered. If you know how to unwrap that secret, one layer at a time, then your story can only get better.

Read a Spy novel. 
One of your characters is reading a spy novel right now. Do you know what he likes about it?

Read a Historical novel. 
The better you understand history, the better you understand the present.

Read Science Fiction. 
You might learn a bit of science, if it’s a hard science fiction novel. But for sure, you’ll expand your universe a bit. Never hurts.

Read YA fiction. 
It’ll give you insights into your younger characters. It might give you some insights into a few young adults in your life.

Read Women’s fiction. 
If you’re a guy, you’ll understand women better, which is good all by itself. If you’re a guy writing fiction, you’ll understand your readers better, because the odds are that the majority of your readers are women.

Read fiction that features characters with wildly different Beliefs from yours. 
I understand hyper-capitalists better after reading Ayn Rand. I understand Jews better after reading Chaim Potok. I understand Wiccans better after reading S.M. Stirling’s apocalyptic series that begins with Dies the Fire. I understand Muslims better after reading Khaled Hosseini’s book The Kite Runner. I understand fundamentalists better after reading the first book in the Left Behind series.

The better you understand your characters, the better your novel will be.

Read Bad fiction. 
Yes, really. If you find a particularly bad piece of writing, read it all the way to the end. Figure out why it’s so awful. Resolve never to do the things that the author is doing.


I confess that I have a favorite bad novel, written by a high-school kid who graduated a couple of years behind me. This thing is fearsomely, wonderfully, amazingly awful. It’s bad on every possible level.

No, I won’t tell you the title. Find your own dreck. I’m keeping mine a secret.

My family knows which book I’m talking about, and they’ve all read it. We sometimes quote particularly horrible lines at the dinner table.

There are a billion ways to write great fiction, but only about a dozen ways to write truly horrible fiction. 

Good writing starts by learning to avoid that dirty dozen of Desperately Horrible Writing Follies.

If you’ve read some really awful fiction, I guarantee it’ll improve your writing. But there IS such a thing as too much of a bad thing, so stop when you’re had enough. A little goes a long way.

Read a little bad fiction and a ton of good fiction.

Reading Fiction
is the foundation of Writing fiction. 
Make your foundation
broad and strong.

~~~~~~~~~~~~~~~
Reprinted with permission of the author.

Award-winning novelist Randy Ingermanson, "the Snowflake Guy," publishes the free monthly Advanced Fiction Writing E-zine, with more than 9,000 readers. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit www.AdvancedFictionWriting.com.

Saturday, February 22, 2014

What KIND of story are you telling?

10 Second Tip:
What KIND of story are you telling?
EVERY story is in fact a tale about the relationship of an individual (your main character) to society -- symbolized by their workplace, school, their immediate or extended family, the gang they belong to, a best friend, a lover...

  • A comic story (one with a happy ending,) describes an isolated individual achieving social integration either by being accepted into an existing society or by forming his own. This integration is often symbolized by a wedding or party. 
  • A tragic story (one with a sad ending) describes an integrated individual who becomes isolated. Death is simply a symbol of this isolation.

Keep in mind...! 
 -- The plot should keep us in suspense about what kind of story we're reading. 
  • Even if we already know it's a comedy, the precise nature of the comic climax (the punchline that carries us to the happy ending) should come as a surprise.
  • If we already know the hero is doomed, his downfall should be caused by a factor we've been told, but didn't realize was significant.

Don't give everything away by the fourth chapter! A story we can guess the ending to before we're done is NOT a story worth finishing.

Enjoy! 
Morgan Hawke
www.DarkErotica.Net

Saturday, April 29, 2006