Making MAGIC 2 - Writing Magical Battles

 

Jujutsu Kaisen

 

 

Making MAGIC 2
Writing Magical Battles

 

Have you read the first one?

Making MAGIC 1
A History of Magic?

 

----- Original Message -----

I like 10 shadows from JuJutsu Kaisen (JJK). The essence of the ability in a nutshell is the ability to [summon spiritual beasts]. I want to change the summons, but leave the main point. Authors who made abilities similar to this one, what problems will I face in writing fights? 

 -- Wanna Write Magic Battles

 

Here are some Problems that Will come up when
Writing fight scenes
with Multiple Magical Participants.

Your first major problem is knowing how to Put into Words that kind of a battle scene; one with Many participants, without confusing the Readers.

I suggest figuring out how to write a basic one-on-one fight scene first.

Link --> ACTION and the Evil "AS"

Multiple fighters makes using Action THEN Reaction vital to write that scene clearly enough for the Reader to Visualize.

Take Notes!

Once you add more participants to a fight scene, you're going to need a pencil and some scratch paper just to keep track of where all of them are, in addition to who and what they're fighting, plus what powers each is using.

Just make things more complicated... A scene where a character switches from fighting one opponent to fighting a new opponent, once they finish their first fight, will end up in a nasty mess if you don't keep track of everyone, and every thing, involved in the fight. 

Scene-Switching will Need to Happen.

The Pacing and Timing of your scene-switching from one set of fighters to the next, will be crucial -- because there is no way in hell you can write that sort of pitched battle without scene-switching.

Just remember to do a line break of some kind, such as: * * * between each and every scene switch and POV change. If you're writing online, you need a black space, a line with * * * then another blank line.

It looks like this:

Tanjiro nodded toward their father. "It's in the way he breathes."​

​

Naoki frowned at his older brother. "Like when you told me to breathe with the drum?"​

"Tanjiro nodded. "Exactly, but that's just the beginning." He grinned. "Don't worry, Tou-san will teach you, just as he's teaching me.​

​

* * *​

​

Naoki awoke under the heavily padded robe he used for covers staring up at the ceiling rafters wondering how he even got into bed. He'd slept so hard, he hadn't even dreamed. He sat up slowly, mildly disoriented with the distinct feeling that something was not quite right.​

​

You can use other symbols if you like, but No Names announcing whose POV you're switching to.

Writing the character's Name as a title at a POV switch is Not Done in the publishing industry. It's something that appeared in Fan-Fics written by beginners. No professional publishing house will allow it. 

One POV per scene! 

Having more than one POV (point-of-view) in a battle will make your fight scenes a snarled mess to read. Stick to Only One per battle scene. 

More importantly, Never pick the Bad-Guy's POV.
 -- It ruins all the surprise and suspense generated by the fight, especially if that Bad-Guy has one more Ace up their sleeve. 

As for your Summoner, Do Not use their Summon's POVs.
 -- If you have to do a scene with Summon vs Summon, use NO POV at all. In other words, No internal thoughts, feelings, or narration. Write it from an Outside Observer's POV. Just the Facts, Ma'am. Mainly because a summoned beast's thoughts and feelings should never be seen by the Reader, unless the Beast actually Speaks what they feel themselves. 

The main reason for this is: the Summoner --whose POV you should be using-- should always be worried that their summons will Turn on them. Don't ruin the mystery. Keep out of their Summons' heads. 

Be Careful with your
Over-Powered Characters!

Make sure that your Magical Fighter doesn't look like a Mary Sue/Marty Stu, over-powered, Wish-Fulfillment character. Add realistic character flaws and internal conflicts to balance out all that power. If you do it right, you'll have an awesome story.

Link --> Common Mary Sue Traits -- TV Tropes

 

However your most difficult problem will be coming up with How the summoner summoned their beasts, and what kind of beasts they can summon.

In short: the Magic that makes Summoning happen. 

 

How does your Magic do Summoning?
And What are they Summoning?

If you haven't figured that out yet, THIS is where research really needs to happen.

Rather than trying to make up a whole new form of magic, it is much easier is to base your Magic on an existing magic or spiritual tradition. 

In JuJutsu Kaisen, the author bases their summoning powers on the traditional Onmyoji skill set. In fact, most of the 'powers' in JJK are from traditional Onmyoji myths and stories. So are many of the monsters.

Historic and Mythical Onmyoji: Abe no Seimei

 

Historic Spirit Summoning
in Japan

Abe no Seimei who lived during Heian period, is the most famous onmyōji (Onmyōdō practitioner) in Japanese history. He summoned his beasts and monsters with Shikigami, meaning: paper spirits. 

However, first he needed a spirit willing to be summoned. This was done by presenting an offering to get a spirit's attention, then creating a contract with a spirit by promising to do it a favor in compensation for doing him favors. In some stories, the spirit wanted revenge for a wrong done to it. In other stories the spirit just wanted to stay in his company. He then wrote the spirit's name on a small piece of paper, or had the spirit write its own name. Sometimes these papers were folded into origami animal or flower shapes, sometimes they were people-shaped cut-outs, sometimes they were talismen. It depends on the story.

To summon a spirit to him using the papers, he supposedly used a drop of his own blood as offering.

Historically, the spirits summoned were invisible. However, according to his myths, he gave a portion of his own life force to bring them into reality.

Abe no Seimei did Not make 'shadow puppets' with his hands. (Ahem...)

Everything Abe no Seimei is recorded to have done to gain his spirits, call his spirits, and fight off other spirits, were basic Shamanistic techniques. Anyone familiar with shamanism would recognize his skill set immediately because contracting and summoning spirits is what every shaman does.

Of course, working with spirits wasn't all that Abe no Seimei did.

Onmyōdō (陰陽道, also In'yōdō, lit. 'The Way of Yin and Yang') covers a heck of a lot more magic than just summoning spirits. 

Onmyoji practitioners, especially the ones that worked for the Imperial Court, did a lot of fortune-telling using astronomy, calendars, and the five elements, to divine good fortune in terms of date, time, direction, and general personnel affairs. They also borrowed Feng Shui from China to check if a home or business property's location, direction, and furniture set-up drew in Luck and Prosperity, or Ghosts and Malice

Beyond the shamanistic spirit work, the rest of the techniques an Onmyoji used came from the philosophy of yin and yang and wuxing; magical traditions that had just been introduced to Japan from China, at that time. Rather than separate the two styles of magic, they just...added them together. 

And that's just Japan. 

 

Don't Limit Yourself!

There are spirit summoning traditions all over the world, in every native culture, contained in every form of shamanism that exists. 

However many, many of those traditions summon the spirit into the practitioner's body rather than as an external creature. The old Norse Berserkers summoned Bear spirits and Wolf spirits into themselves before going into battle. Many of the Native American traditions did the same.

Make sure you do your research. 

 

What Magic or Spiritual Tradition
are you basing your Magic on?

Cultivation novels use Chinese mythology for their monsters and spirits, and Taoist or Buddhist traditions for their magic.

The movie Black Panther uses African traditions for their magic.

The Harry Potter magic system was pretty much made up by the author, but was influenced by Celtic, Wiccan, and Norse traditions mixed with mispronounced Latin incantations. 

The movie Serpent and the Rainbow showcased many actual voudun (voodoo) traditions from Haiti.

My magic is based on the Wiccan traditions and borrows heavily from the Celtic fairy stories and myths from the British Isles.

On the flip side, Author Jim Butcher's modern wizard series; the Harry Dresden books, uses a magic system based on the Dungeons and Dragons (D&D), a table-top role playing game created in the 1970's that was based loosely on JRR Tolkien's books. Butcher freely admitted this.

In fact, many, many anime, manga, and manhua use the Dungeons and Dragons magic system. 

-- And it's Obvious to all of us that actually play D&D, or one of the other role-playing games, such as Magic the Gathering, Vampire the Masquerade, WarHammer 40k, or Pokemon.

 

A Few Signs that the Author
is using D&D books for their Magic:

-- The skill Blink. This is an exclusive D&D ability. It does not exist historically.

-- A wizard's abilities are magically bestowed by Books, without needing to Read them.

-- The Orcs look like Pigs and are Green. This whole race comes straight from JRR Tolkien, however Tolkien's Orcs were Not Green, they were the colors of dirt and stones because that's what they were made from. The color change was introduced in the D&D game.

-- The Goblins are Green. JRR Tolkien's goblins were Not green. They are gray skinned with black hair and glowing yellow eyes. They were originally elves that were corrupted by Morgoth the Evil. The color change was introduced in the D&D game.

-- Dungeons that aren't in the basements of castle towers.

-- Adventurer Parties. 

-- Adventurer Guilds. This originally came from RPG video games, but D&D picked it up and ran with it.  

 -- The existence of Ents. Another thing borrowed from Tolkien. 

The most obvious sign of all: 

-- Stat Lists. While all RPG games use Stat Lists, D&D did it first.

 

 

 

There is nothing wrong with writing a 

Literary RPG (LitRPG) story. 

 

Many, many readers adore them. There are even a few very well written stories that I enjoyed: Kill the Hero, Solo Leveling, That Time I was Reincarnated as a Sword. It's just not something I would write. However...!

If it's your genre of choice, have at it!

Just please be aware that there will be actual D&D players in your reading audience. We Know when someone is using Dungeons and Dragons as a base for their magical system, and we will definitely notice when you get something wrong. After all, we love Fantasy stories too. If we didn't, we wouldn't be playing D&D in the first place.

 

In Conclusion...

If you're determined to create your own Magic, your best place to start is with looking up the History of Magic that already exists for whatever culture you happen to be writing in, even if you're just using the D&D books. Use it as a jumping off point, or a framework that explains why your magic works the way it does. Simply adjust the facts to fit the story you want to write. Add things, or subtract things as needed. 

Also, please, please try to make it Not look like you copied it off of a turn-based table-top game you played last weekend.

Most of all, for all of your Readers' sakes, Do Your Research. Far too many of your reading audience will Know when you get something wrong, even if it's just the math on your stat sheets.

Morgan Hawke

Making Magic 1 - A History of Magic?

Making MAGIC
For your Fiction

 

NOT for LitRPG novelists!

If you are a LitRPG (Literary Role Playing Game,) writer, and you're trying to make a numerical leveling System for your fantasy story, please refer to: Dungeons and Dragons role-playing game, the Dungeon Master's Handbook, specifically. However, just about any role-playing handbook will do. There are literally Thousands of them out there for ever type of genre, and many of them are available online for free. Google is your friend. 

After all, that's where Literary RPG came from, table-top Role-Playing adventures that someone wrote down.

Also see:

 Making MAGIC 2 
Writing Magical Battles

 

☕ 

So you want to have Magic in your brand new fictional Fantasy world?

Alright then, lets start with a few simple World-Building questions, so you have some idea of what you're in for-- I mean, some idea of what you're going to need to know to make your new world feel solid and logical to your Readers. 

How does Magic

Affect Your Fantasy World?

 

If you're a writer planning to use Magic in your world, here are a few things to ask yourself while you world-build. 

 

What are they using Magic for?

If Magic is in common use, are they using it to make War or Peace? Are they cooking their food with it? Storing their valuables with it? Building castles with it? Traveling across great distances, or only short hops from town to town? Do they have horseless carriages? Flying ships? Are they communicating across distances with it as commonly as we do with our cell phones? -

Or is it not in common use? If not, then what are they doing with their Magic? Are these magical people in hiding, or protected by the government? Are they gathered in special enclaves, or living scattered among everyone else?

 Who has Magic?

 

Does everyone have Magic, or only a special few? Why would only the special few have it? Were some born with the talent for it, rather like an Artist? Is it something anyone can develop as long as they have proper instructions, like an athlete? Is it something only a few families pass down through their genetic lines?  Is there a special substance that must be grafted onto the body to allow one to use Magic, such as a magical runic tattoo? Does one need a special artifact from a bygone age, or has technology finally developed enough to create a specific tool to access Magic? Does it take a super secret special ritual to awaken one's Magic?

 

What powers Magic?

Where does the ability to use Magic come from? Is it granted as a favor from Spirits? An endowment from Gods? Can one gain Magic from an elixir you eat or drink? Is it generated by an organ such as a Magical Core? Is it an aether that fills the atmosphere that one has to learn to collect, like in Cultivation novels? Is it a power that's already there that one must learn to Feel, like the Force? Oh wait, Cultivation novels use that one too.

 

How do people learn to use Magic?

 

Magic can be very dangerous to both the practitioner and the unaware people around them, if handled incorrectly. So, how does one learn to Control it? Do people have to go to schools to learn how to use Magic? Are the skills passed down through apprenticeship under an experienced practitioner? Does one learn to use Magic from the Gods or Spirits themselves? From dreams? Can someone learn to use Magic by complete accident? 

 

Has your world always had access to Magic,
or is it a new development?

When and where did the use of Magic start? Did a meteor hit the planet and just...irradiate people with Magic? Did some wellspring of pure Magic from the Soul of the World erupt to spray magic into the air like a geyser? Did someone just wish Magic to happen, and it did? Did some strange traveler come and bless certain individuals with Magic?

If Magic isn't a sudden new development, how long people have been using it? Are there a few famous practitioners? What kind of History does your Magic have?

What kind of Spiritual Background are you using for your brand of Magic? 

 

This is Not a trick question. You are basing your fantasy Magic on some form of real Magical/Spiritual practice, right? You're not trying to create a whole Magical doctrine from pure Make-Believe, or worse: relying on Dungeons and Dragons for your Magic, right? 

 

Surely you don't plan to rely on Make-Believe to create your own History of Magic from scratch?! 

 

In the beginning, the spirits said, "Let there be MAGIC...!" And it was good. 

 

Writing a History of MAGIC?

Can be more Headache than it's worth.

----- Original Message -----
...How am I supposed to explain how magic has evolved over thousands of years from singing and chanting to using magic circles to unleash devastating spells? Like how did people discover drawing circles in the air with magic text inscribed in them was better than singing your lungs out?

-- Concerned Fantasy Writer.

Making up a full History of Magic, or even a partial History of how early Magic progressed from using a shamanistic style of magic; rituals and prayer incantations, into condensed mana imprints; spell circles cast on thin air, especially when there's thousands of years of progress between them, is a Big Project.

What you're trying to do here is similar to coming up with the history of how humanity went from using bows, swords, and horses to conduct warfare, to modern warfare using sub-machine guns, tanks, and helicopters.

To even attempt this, would take massive research. 

Just to start with: 

How much do you know about:
The History of Actual Magic?

Not make-believe magic, like what's found in Dungeons and Dragons, but Real, historical Magic as it is currently practiced here on Earth? 

 

 Stonehenge

A brief History of Actual Magic

The History of Magic starts at the dawn of human existence.

However, most archaeologists and scholars who study history are Scientists. They don't always recognize what's right in front of their noses.  

Put It Back!

Magic after all, is the bailiwick of Dreamers, Artists, and Poets. It often takes a Dreamer to spot the Magic among the mundane, (and when certain things really need to stay buried.)

Luckily, there are a lot of Dreamers out there writing book after book, and blog post after blog post, about Magic and it's actual History.

Here's a very basic Summery:

-- The earliest form of Magic was basic shamanism which was practiced by native people all over the world in every country, and every culture. 

Magical songs, magical music, and magical dances to celebrate the sun, create rain, call the wind, bring down lightning, stop floods, walk in the bodies of beasts, encourage fertility in people, land, and livestock, or call an end to winter, are all shamanistic practices. Japanese Shintoism for example, is a somewhat advanced form of shamanism still in practice today. 

-- Prehistoric metal workers; Smiths, were considered powerful Magicians who sang over their forges and knew the secret of how to turn rough stones into gleaming weapons. Especially magical were the sword makers; the bladesmiths who used all kinds of sacred and profane ingredients, including fallen stars, to make mystical unbeatable swords that could empower or curse their wielders. 

-- Long before Christianity began, Judaic ceremonial magicians worked with divine beings and developed the Tree of Life as a progression map. Through prayers and songs they recorded in their Torah; the precursor to the common bible, they called down divine retribution, parted seas, sealed ifrits and genies into bottles, and introduced the idea of an Evil counterpart to the Divine: Shaitan; the Adversary. 

-- From India came the sutras; massive, long, and convoluted prayers that induce a meditative state so strong --and useful-- that the entire far east jumped on their bandwagon, branching out into thousands of different forms of Buddhism.  

 -- In China, Buddhism was added to the native forms of Shamanism, Astrology, Alchemy, and Numerology. This developed into a new form of Chinese Magic; Taoism, side-branching into Feng Shui. (Keep in mind, I'm being VERY general here.) Both the Buddhists and the Taoists slew demons and monsters, laid the walking/hopping dead to rest, broke curses, and tamed spirits and ghosts. However the Taoists also cultivated enlightenment to reach immortality, and apparently flew on swords as well. Much later, Confucianism was added to the mix and the fortune-telling Tao Te Ching emerged. 

 -- Chinese Magic; Taoism, eventually spread to Heian Japan. It mixed with the native shamanistic practices and Buddhism already there, and the Onmyoji sorcerers came into being. They did all the same thing as their Taoist counterparts did, except cultivate to immortality and fly on swords. 

-- The Celestial or Sacred Mathematics known as Geometry started in ancient Babylonia. It was used for surveying, astronomy, and construction of their massive temples. The Egyptians grabbed onto it and developed it further. They used it for surveying, astronomy, and construction too, but they wanted their sacred palaces, sacred temples, and sacred pyramids to also line up with their favorite stars. 

-- India developed their own form of Geometry for all the same reasons, and built gigantic sacred temples like everyone else, only a lot more decorative. 

 

The Greeks snatched Geometry from both India and the Egyptians, then developed Geometry into a high art form. They used it to build even fancier temples plus palaces that lined up with the sun, the moon, and certain planets. 

-- When the Romans took over Greece, they got a hold of Geometry, and developed a brand new invention called Cement; liquid stone that hardened into any shape you had a mold for. They combined the two and promptly went insane. They used Geometry and Cement to build massive domed temples of every variety for every god, plus aqueducts, fountains, sewage systems, drainage systems, irrigation systems, road systems that covered most of the known world, central under-the-floor heating, heated in-home baths, whole apartment buildings, outdoor theaters, coliseums, purely decorative grand arches, and huge Imperial palaces. 

 -- By the close of the Roman Empire, Sacred Geometry was firmly under the control of a brotherhood of architects and builders known as The Masons, and was jealously hidden away from anyone that wasn't a Masonic Architect. For over a thousand years the Masons kept Geometry as a Magical secret. Only they knew how to construct the massive, awe-inspiring Sacred temples, mosques, and cathedrals. 

 

-- The modern 'Order' of the Free Masons had their start here. In fact, if you look at any modern Mason ring you'll see the "G" and the tools used for Geometry.  

 

-- During the Byzantine era, a Syrian Alchemist created the chemical bomb known as Greek Fire for the Byzantine Emperor. Greek Fire was considered very Magical indeed because no one could figure out how he did it. The Syrian never told anybody. 

Much, much later someone invented something similar under the name: napalm. However, it wasn't considered magical in the least.

 

-- In the early to mid 1200's, Roger Bacon, a medieval English philosopher and Franciscan friar, was also regarded as a Wizard. He was attributed to the invention of gunpowder, (clearly stolen from the Orient,) and the magnifying glass. 

-- In the late 1200's, Dante Alighieri, an Italian poet, writer, and philosopher published three works of fiction that pretty much changed how every single Christian in the world saw Heaven, Hell, and Purgatory. His Divine Comedy: Inferno, Purgatorio, and Paradiso, were published just in time for the invention of the Gutenberg Press. These books, alongside the first printed bibles, promptly spread all over Europe to every home that could afford a printed book.

 

-- Dante's stories introduced the nine levels of Hell, and the names of the demons that lived there. They also described the levels of Purgatory, and what could be found there, and the nine levels of Heaven and the names of the angels that lived there. King Solomon was also tossed in and recorded to have captured and sealed away a great many demons into bottles. Dante listed the names of those demons too. These books also introduced the concept of a War in Heaven. This war featured a peerless angel that rebelled against God, and was punished for it by being thrown out, or down rather, to become the ruler of Hell. He even named that fallen angel and gave the ruler of Hell a title borrowed straight from the Torah: Shaitan -- Satan. 

-- By the mid 1300's, all the demons and angels mentioned in Dante's works of fiction, were accepted as being actual demons and angels. Absolutely everyone accepted that the War in Heaven actually happened, and the story of the fallen angel as Fact. There was a Satan in Hell, just ask anyone, even your local priest -- who likely had a copy of Dante's books sitting right next to his personal bible. For reference.

 

-- There was actually a reason why Fiction suddenly became Fact. Namely: the Black Plague and the Bubonic Plague.

The only explanation anyone had for everyone dropping dead around them was either "God hates us," or "There was no God." After all, God was supposed to be a being of pure Good, God couldn't have possibly created a Plague! Well, the Catholic Church certainly couldn't have people not believing in their God anymore. That was an awful lot of tithes (money) they'd lose out on. So in all their wisdom, the Catholic leaders in Rome decided they needed Someone to Blame. They looked no further than Dante's books. The plagues were Satan's fault. 

Satan, a fictional character from a work of fiction: Dante's Inferno, has been blamed for everything wrong with the world ever since.

-- By the late Middle Ages (c. 1350–1450), the major plagues were pretty much over, so all the local peasant farmers started celebrating, with Pagan revivals. 

Pagan rituals and celebrations were a lot more fun than sitting in a cold stone room crammed in next to your unwashed, smelly neighbors on hard wooden seats being snarled at by the local Christian priest for hours. Nobody wanted to be yelled at for enjoying making love to their own spouse, enjoying the beer and mead they brewed in their own cellars, or for women using their skills to make an income to help support their families. So they stopped going to church. More importantly however, they stopped paying for the churches' upkeep.

 -- To deal with the crisis, (the churches were losing a lot of money,) the Christian leaders in Rome did two things. The first was to make all the local gods into Christian Saints and allowed the local celebrations -- now sanctified by the local churches. 

-- The other was to start a Smear Campaign against anything, and everything to do with Magic. It worked on the uneducated peasant populous. The educated populous however, smiled in church on Sunday, but held secret book club meetings the rest of the week. In their private parlors and hidden rooms alongside close friends and associates they perused old obscure books about Geometry, Alchemy, Philosophy, and Magic.

-- As a result of those secret book clubs, in the 1400's, Middle Eastern Alchemy became quite popular in Europe, and split into two distinct branches. One branch was very practical in nature. These Alchemists developed the earliest techniques for creating artificial, manufactured, jewels: diamonds, sapphires, emeralds, and rubies. They did this by combining base ores and certain chemicals in a high pressure furnace called an Athanor. Of course a lot of them blew themselves up doing it too. Anyway! Today, Cubic Zirconium; manufactured diamonds, are created in this exact fashion. With a lot fewer people being blown up.

 -- The other branch of Alchemy was highly philosophical in nature, and considered one of the earliest forms of Psychology. The very earliest form of psychology being talking to your local shaman or priest. This 'spiritual' Alchemy became known as Hermeticism. 

-- During this period, the Northern Europeans went through a Magical Renaissance. By dredging through every obscure book they could find, they developed a whole new system of Magic. This new Magic combined the Judaic Tree of Life/Sefirot magic, Masonic ceremonial magic, different forms of fortune-telling, Astrology, Greek Philosophy, Hermeticism, mathematics, and a dash of shamanistic spirit summoning. This form of Magic invoked Heavenly and Unholy powers using angelic and demonic names straight out of Dante's works of fiction, through basic addition and subtraction called Magic Squares These Magic Squares were later made circular and stamped on medallions.

 -- You can find a bunch of these squares and the symbols created through simple addition and subtraction in the Ars Goatia, also called the Lesser and Greater Keys of Solomon. The Ars Goatia is where all those fancy circle spells you see in manga and anime were borrowed from.  

-- In 1478, the Spanish Dominicans, a branch of rabid Christians who murderously loathed anything that wasn't their brand of Catholicism, (and women in general,) petitioned the Monarchy of the newly unified Spanish kingdom for permission to combat heresy and demon worship in Spain. They were called The Spanish Inquisition.  They were also called, Domini Canis; Dogs of God -- implying just how rabid they were. 

This Inquisition had their own form of Magic that utilized prayers from the bible plus a few they created themselves, consecrated hosts, holy water made by their churches, blessed swords, and lit torches. Permission granted, they went absolutely insane. They grabbed anyone and everyone that wasn't their brand of Catholic, from peasant to noble. Especially if they were female. Once they tortured confessions out of them, they burned or hanged them to death. Then they took their property -- for God. They killed a lot of people.

The Inquisition remained in operation burning and hanging heretics, demon worshipers, and witches all over the world until 1834. 

 

-- In the early 1500's --despite the threat of The Inquisition-- a German Renaissance philosopher named Agrippa, came up with the Angelic Script, Transitus Fluvii, and Malachim alphabets to make communicating with Heavenly beings easier. 

-- During this period, telling the future by Scrying; seeing, by peering into a bowl of liquid, or crystal balls, or reading the swing of a pendulum over a laid out alphabet, plus Astrology, and Tarot card reading, became very, very popular. Everyone who was anyone was doing at least one of them during dinner parties and afternoon teas.

-- In the late 1500's, an an English Renaissance occultist and scryer called Sir Edward Kelly, and his friend John Dee, an English court astronomer, came up with the Enochian alphabet. This was also meant for communication with Heavenly beings -- and taming ghostly beings. 

-- In the 1600's, Voudon, (voodoo), a form of native West-African shamanistic magic mixed with prayers and songs from the King James bible, developed in Haiti and quickly spread through all the islands close to it. It also spread to the Southern US and outward with the slave trade. 

-- By the mid 1700's, the British isles developed two distinct forms of magic. Witchcraft; based on native shamanistic rituals, and Ceremonial Magic, which was pretty much a cleaned up and polished version of what was being practiced in Europe mixed with Masonic rituals. Currently, the witchcraft forms are called Wicca, Paganism, and Heathenism respectively, and the ceremonial forms are mostly under the headings: Hermeticism and Western Esotericism, with thousands of variations under both types of magic. 

-- In the 1800's consumption; tuberculosis, began to kill large numbers of people all over the place. Because everyone had someone they dearly missed, a pretty large occult revival happened all over Europe and in the US. Seeing and talking to spirits of the dead by way of seances: featuring full on possessions by ghosts, table-tapping, levitating objects, and the appearance of ectoplasm, became very, very popular. Especially in England.  

 -- In the mid 1800's, the Rosicrucian Fraternity appeared in the US, a mix of Occultism, Hermeticism, and Christian gnosticsm. Supposedly it had a long and involved history that went back to the 1500's. Said history has since been debunked as Fictional. However, the Magic works just fine. 

-- In 1940 in England, Neopagans, and very witchcraft Wicca, emerged onto the public domain. Their brand of Magic was shamanistic at core, celebrated old Celtic and old Scandinavian gods, utilized divination, and was only loosely organized. These practitioners also borrowed bits and pieces from just about every other form of paganism, mysticism, and the occult -- depending on the practitioner's personal feelings, beliefs, and curiosity. 

-- In 1969 modern Satanism happened. This form of magic and the belief system that went with it was put together by one man: Anton LeVay. He used bits from the common King James bible, some demonic names from Dante's books, created a philosophy of Self-Worship based on European Hermeticism, added a few European magic squares, and mixed it all together with basic Golden Dawn brand ceremonial magic to make it pretty. Strangely enough, it actually works.  

-- In 1977, the US government recognized Wicca as an official legal Religion. This prompted a massive explosion of books for and about witchcraft. Some of these books are quite informative and well researched, others, a jumbled rehashing of what was already floating around from the last occult movement during the 1800's. Buyer beware. 

And that's just skimming the surface of the History of Magic right here on this world. If you want to know more, Google is your friend.

Knowing the Facts about real Magic can assist you in making any form of fictional Magic, no matter how Make-Believe, not only logically operable, but feel Real and possibly even familiar to the readers.

 

As for the original question...

Magic using Computers: 

The Irregular at Magic High School, Mahouka Koukou no Rettousei

You Don't need to Invent a whole
History for Magic.

Writing a whole history; even in note form, would be a massive amount of work.

Instead, focus on how your spells are Powered; Gods, Spirits, the Force, a magical core? Then work out the reasons why the spells were progressed from shamanistic incantations to the form you plan to use in your story. 

A good place to start would be looking up the early Magic practices of the culture you're writing about. For example, JRR Tolkien's high-fantasy stories about wizards, elves, dwarves, ents, and trolls was based on early Scandinavian mythology. 

 

 

 FullMetal Alchemist
Magic through Memorization.

As for Mana Circle Imprints... 

Just coming up with how mana imprints happen will be headache-inducing enough, forget trying to write a history for how that came about.

I mean seriously, if we use most fantasy anime and manga as examples, and skipping the fact that most of the circles came from images in the Ars Goetia books... To use projected mana circles, those magicals have to Memorize every circle they intend to use; like in FullMetal Alchemist, then project the right amount of mana to create each memorized circle -- then supply mana for the effect they want to create, every single time they want to cast a spell.

Are you aware that at this point in time in the Modern Era, only Idiot Savants and extreme geniuses are capable of doing that kind of memorization? The regular human brain simply can't hold that much information without the memory degrading -- in minutes.

Clearly, normal-brained magicals need something to assist them in making the right circles occur, so they can then put their mana into them.

Here's a few ideas: 

• For magicals that live in a time before computers, books with all the circles written down for easy access is commonly used in most RPGs. By the way, hunting for books with more powerful spells is a very common subplot. 

• Magical Objects with pre-loaded spell effects; such as talismans and artifacts, commonly appear in Chinese Wuxia and Xanxia stories, and Oriental Onmyoji ghost stories.
  

• Magical Tattoos; spells written on skin, are a common shortcut in Celtic, Norse, and Gaelic legends.
  

• If your magical lives in a modern or sci-fi world, a hand-held computer like a smart-phone that projects those circles via holograms can be used. In fact, this technique is used in the manga and anime series: The Irregular at Magic High School, Mahouka Koukou no Rettousei.

Trying to add a History to how all this came about is a sure-fire way to kill all your inspiration to write. Better to just skip it entirely -- like everyone else does.

 

In Conclusion...

If you're determined to create your own brand of Magic for your stories, the best place to start is with the History of Magic that already exists for whatever culture you happen to set your story in; Chinese, Japanese, Norse, Celtic, Polynesian, African, European Medieval... Use it as a jumping off point, or a framework that explains why your magic works the way it does. Simply adjust the facts to fit the story you want to write. Add things, or subtract things as needed.

Just please be aware that there will be actual practitioners of magic in your reading audience. We will Know when you mess up and don't keep to your own lore, just as easily as we know when someone is using Dungeons and Dragons as a base for their magical system.

After all, we love Fantasy stories too. If we didn't, we wouldn't be practicing magic in the first place.

☕

Morgan Hawke